Hulk” star Mark Ruffalo recently spoke about his "impressive" experience working with “Batman” actor Robert Pattinson and Academy Award-nominated Toni Collette in the science

Naomi Ackie, Mark Ruffalo, Toni Collette and Steven Yeun are also part of the cast for the new movie, set in a dystopian future.

Bong Joon Ho explains how Mark Ruffalo's character in Mickey 17 was not based on one specific dictator, but rather multiple inspirations.

Bong Joon Ho is well aware that audiences see Donald Trump in Kenneth Marshall, the egomaniacal politician played by a delightfully absurd Mark Ruffalo in his new sci-fi comedy, Mickey 17. However, no one particular politician inspired the villain.

Based on the 2022 novel "Mickey7" by Edward Ashton, "Mickey 17" is more of the director's pointedly political, yet consumable arthouse style, showcasing another wacky, bizarre and fantastical landscape onto which Bong Joon Ho refines his critical voice. ROBERT PATTINSON as Mickey 17 in “MICKEY 17,” a Warner Bros. Pictures release.

The Australian actor jumped at the chance to work with South Korean master Bong Joon-ho on new film Mickey 17.

Bong has used his darkly comedic edge to create hilariously strange authority figures in his English-language films.

The Mickey 17 box-office haul for its opening weekend is in and it looks reasonably good for the science fiction opus from Bong Joon-ho. The film stars Robert Pattinson, Mark Ruffalo, Toni Collette and Steven Yuen and revolves a space colony heading to a new world on a massive vessel.

Director Bong Joon Ho tells IndieWire about the origins of the failed politician Kenneth Marshall in 'Mickey 17' and why he cast Mark Ruffalo.

From the Academy Award-winning writer/director of Parasite, Bong Joon Ho, comes his next groundbreaking cinematic experience, Mickey 17. Written and directed by him, Mickey 17 stars Robert Pattinson,

Starring Robert Pattinson, Naomi Ackie, Toni Collette, Mark Ruffalo and Steven Yeun, Mickey 17 is a weird, wacky but ultimately satisfying dystopian romp.

News of reshoots and long nights in the editing room, as well as ever-changing release dates, are hardly good omens regarding any film. Yet such difficulties plagued director Bong Joon