Director François Ozon’s new film adaptation of Albert Camus’s novel L’Étranger (The Outsider, 1942) confronts a considerable ...
François Ozon has brought Albert Camus’s classic existentialist novel The Stranger to the screen in brooding, Bressonian black-and-white. He tells us about drawing out the sensual elements of the ...
The French filmmaker tells IndieWire about the seduction it took to obtain rights to the classic novel — and his leading ...
Benjamin Voisin plays an emotionally detached killer in this lush black-and-white take on L'Étranger that falters in its ...
Benjamin Voisin on reading sad philosophy and smoking heavily for The Stranger - Benjamin Voisin’s remarkable turn as ...
Albert Camus’ 1942 novel “The Stranger” spins around a psychological mystery. Why would Meursault, a Frenchman living in ...
A man of indifference becomes a killer in this adaptation of a 1942 Albert Camus novel.
This Interview was slihtly edited by the interviewe for clarity. There’s a real intensity to French actor Benjamin Voisin—a ...
This atmospheric - and mostly loyal - adaptation might be too pretty for its own good.
More than 20 years after adapting a Rainer Werner Fassbinder play called “Waters Drops on Burning Rocks” into a movie, François Ozon has made this gender-flipped adaptation of one of Fassbinder’s ...
[ indieWIRE’s weekly reviews are written by critics from Reverse Shot. ] Overpowered or indifferent, she submits with a bleary-eyed stoicism, then retreats to straighten up in the bathroom, getting ...
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